01 July 2009
Nora, the cat. She's a piano maestro.
24 June 2009
Curly hair, love it or hate it? Then go for wavy...
A comment made by one of my readers made me think. I am not the "BNP" of curly hair. I still like curly hair, Kris...;) However, not all curly hairs are good. Some people have been luckier than other ones.Curly hair is like style, it is a very difficult art to master if you ever even manage to learn the art of it.
Some people are very happy with their hair, others not. Other people, including me, we usually go for the 50/50 way: the wavy hair. But how to style it?
Option A: the 40s look.
This vintage-inspired look consists in half straight hair, half wavy in very big waves than have been curled with either rollers, a hair-curler or with fingerwaving techniques for a more sophisticated finish.
Opt
ion B: the lady Camelot look.Lady Camelot's hair is truly curly hair but in a very long length. This little but important detail allows to keep the curl under control and because of the weight, the curls tend to "open" and get bigger. Like the other look is very high maintenance (Yes!, curly hair is high maintenance). It needs lots of hidration and serum to minimise split ends and having your hair falling into pieces. You also need to keep it tidy or you will end up looking like a tramp.
Once again, you can check more ideas and tips in the "gothic fashion tips" link and in a website that Kris very kindly submitted with her comment. Thanks for your link, Kris!
www.naturallycurvy.com
11 June 2009
Sizing, what size are we, really?
I've been having some very valuable feedback from customers and bloggers. It is always appreciated and very very valued, either is possitive or negative. There is one issue that has been a bit of a concern for some of the people I consulted. SIZING.Yes! The (very) complicated issue of sizing. What size are we, really? OR, what size do we want to be? (I've seen women asking what the size range is at the entry of a shop and then leaving because they didn't like it, or even worse, not buying an item because they didn't want to get a LARGE size)
I'm not british, I'm spanish. I come from a country where the sizing is different from the british system: is smaller and tighter in the torax (we have smaller boobs but wider hips in the Mediterranian).
I started with a specific sizing system that apparently was too small, I've changed it. I was still not happy, I've changed again. Here's what I've decided to go for. I hope it makes sense. A spanish Medium IS DEFINETELY NOT the same as a british Medium. So I've decided to go for something in between. Comments are welcome.
SMALL (90cms bust, 70cms waist, 95cms hips)
MEDIUM (95cms bust, 75cms waist, 100cms hips)
LARGE (100cms bust, 80cms waist, 105cms hips)
XL (105cms bust, 85cms waist, 110cms hips)
XXL (110cms bust, 90cms waist, 115cms hips).
Check out my site for more info:
06 May 2009
1930s, the decade of Glamour
After the "tomboy" look of the 1920s, there was a return to a more grown-up and sexier look that will characterize not only the 30s but also the 40s and 50s.In the 30s clothes were still simple but feminine and became even more sophisticated and glamorous at night.
Feminine curves were highlighted through the use of the bias-cut in dresses (this technique allowed the fabric to drape better and therefore the garment would fit like a glove, similar to the effect that jersey/stretch fabric offers).
Through the mid-1930s, the natural waistline was often accompanied by emphasis on an empire line. Short bolero jackets, capelets, and dresses cut with fitted midriffs or seams below the bust increased the focus on breadth at the shoulder. By the late '30s, emphasis was moving to the back, with halter necklines and high-necked but backless evening gowns with sleeves. Evening dresses with matching jackets were worn to the theatre, nighclubs, and elegant restaurants.
Skirts remained at mid-calf length for day, but the end of the 1930s Paris designers were showing fuller skirts reaching just below the knee; this practical length (without the wasteful fullness) would remain in style for day dresses through the war years.
ACCESSORIES
Gloves were "enormously important" in this period. Evening gowns were accompanied by elbow length gloves, and day costumes were worn with short or opera-length gloves of fabric or leather.
Another key piece in the 30s was fur: extravagants pieces of fur decorating the garments or worn as wraps or coats were the final touch to finish that sophisticated look.
HAIR
Short hair remained fashionable in the early 1930s, but gradually hair was worn longer in soft or hard curls.
Hats were worn for most occasions, almost always tipped to one side and decorated with bits of net veiling, feathers, ribbons, or brooches.
Info taken from this link: wikipedia
30 April 2009
Gothic hairstyles, does curly hair need to be dark?
A comment by one of my readers, Sexy Sadie, made me think. In response to the post Gothic hairstyles, can curly hair look good with your gothic outfit? She commented: "I think curly hair can be gothic, but it has to be dark hair".Well, not necessarily. As with any other "look", it is the combination of elements (makeup, hair, accessories, clothing -including colours, textures and shapes-) what defines the overlook of it or the "theme". Someone completely dressed in black doesn't always look "gothic", so curly or wavy hair doesn't always need to have that romantic and sweet flair into it either....
Obviously, black or dark colour hair would make the overall dramatic effect
come across easier, especially to someone who has a very sterotypical view about Gothic fashion, however, I still believe and I have already expressed this in my post, black raven hair (straight!) it can be too tiring!!!As another reader pointed out, the character of Lestat the Vampire (played by Tom Cruise) is blonde and with curly hair. Does that make him look less "gothic" or sinister?
Take as an example the first picture, is from Aquascutum ( a fashion label with no relation or interest whatsover into dark or gothic themes). The model looks very dramatic. Why?
Well defined eyes in a very dark and smokey dark eye-shadow, sharp wine coloured lips, well defined figure thanks to a very beautifully tailored outfit, in this case a coat. The hair is curly! And is not either black raven or vamp red, is a brown golden dark colour and she still looks beautifully dramatic!

Let's take another example: bright blonde hair. The most difficult case, in my opinion.
Here is a picture of Jean Paul Gaultier's Winter collection for 2006. It is very phantasmagoric, I have to say, but I like because they didn't stick into black hair in order to create that romantic dark look. There is no need to say that it works because of the make-up and the clothes!
16 April 2009
Retro is back!
After having apeek to the last catwalks, I'm so thrilled for this winter to come! (I've never been a summer person ayway....maybe 'cause I'm spanish and sunlight is not a big deal to me).Anyway, after last winter's doom and gloom we will still expect more drama but this time with a stronger vintage "allure". As I said in my previous post, the current crisis shares too many similarities with the Great Depression (hence the strong 1930s influences in next winter's collections). If you look carefully at some collections the silouettes, textures and colours are very depression like. Even so more than the characteristic opulent Old Hollywood style of the same era. If you don't know what 1930s fashion is exactly, I will explain it in my next post.
For the moment, enjoy this very 1930s-Film Noir dramatic picture on the left.
(picture of the gorgeous burlesque performance Lydia LoveLace, photographed by Nik Pickard). (Hope they don't mind that I use this stunning picture)
13 April 2009
I suddenly became a Goth.....part 5
Remember my "suddenly became a Goth" series"? Well, I didn't know I would find more "chapters" to add to the series :)I don't really know if this chapter is legitimate but I just can't help thinking that the new look is dark enough to fall into not the proper goth but at least "dark" category.
I-ve always been a fan of Scarlett Johansson-s look. I love retro (1930s-1940s plus victoriana) and her looks are never too much colorful, au contraire, she usually plays with pastels (that-s why I-m not a big fan of the 50s although I can say that I still like it...).
Miss Johansson has paired her stylist (whoever he/she is, is doing a very good job) with D&G and you can see the result: strange, well, quite unusual. It is femenine, it is glamorous, it is rich and voluptous but very very dark indeed.
Why did this happen to....her?
Well, Gothic or dark will still be a big thing for next winter (due to the gloomy economical situation) but also retro, 1930s retro, to be precise due to the similiarities of this recession with the one from 1929. So I think that-s why miss Johansson's stylist has decided to embrace the dark side of retro.
You might still be wondering why Johansson looks "dark"? Well, here are some clues:Firstly, the hair: that beautiful ginger/auburny colour is very very dramatic enough. It is one of the right shades to emphasize the already pale skin and accentuate her facial features. (Remember my post: Gothic make-up tips: an alternative to raven-black hair?). IF you have pale skin, any dark shade of hair will do the same job so, there is no need to go the raven hair to get that goth look.
Secondly, the makeup: those feline eyes, those bright red lips that look as she just had a glass of blood....It is retro makeup indeed. However, combining retro make-up plus pale skin tend to result to be a certain look:VAMP. And what is a vamp? A mix between a dominatrix and a vampire, a femme fat
ale! Which is the whole concept behind the female goth look. Thirdly and last: black lace! There no need to say more. She couldn't have gone any more stereotypical. That stunning hugging figure outfit it only helps her to look even more vamp than what she already looks.
And she looks gorgeous....
